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Description: Rabeda is a colorized, reversed, decelerated, delayed, and otherwise digitally distorted version of Peter Kubelka’s 1957 experimental film, Adebar. Using the original film’s seemingly sardonic cultural juxtaposition of European dance club imagery with an African tribal soundtrack, one intention of this new piece was to further amplify the ambiguous elements of an already largely ambiguous and often misunderstood work, while creating a separate and new aesthetic out of these initial image and